It was the day broadcast industry experts thought would never
come. On October 7, 1988 the flagship station of the National Broadcasting
Company, the legendary WNBC, was going off the air for good. NBC brass
wanted the final show to be a fitting tribute to its incredible history.
Thats why NBCs afternoon talk host Alan Colmes was tapped
to preside over its final hours. As a little boy growing up on Long
Island, in the shadows of the world's number one radio market, Colmes
would stay up late into the night, hiding under his covers with an old
clunky earpiece, listening to WNBC when it was New York's state of the
art conversation station in the 1960s. Now television crews from
every major media outlet, and historical radio figures, were swirling
around him, following his lead, as he sadly put this radio icon to bed.
As Colmes said in his closing remarks that day, Little did I know
that the last words I would say on WNBC would be the last ones anyone
would say.
Just as the American hostages were seized by the Iranian government
in 1979, Colmes began doing talk radio. Never quite the author-channeling
publicist-stroking flack so many interviewers become, Colmes first
exploit was to call the American embassy in Tehran. Shortly after his
dialogue with a student named Z, the U.S. state
department banned all calls to Iran.
This kind of sharp-sightedness got him noticed by WABC who hired Colmes
at the inception of its talk format in 1982. As overnight host, Colmes
rapier wit and incisive questioning was reminiscent of his radio idols,
Long John Nebel and Barry Gray. (When Colmes joined WMCA radio, both
Nebel's and Grays alma mater, in 1989, Colmes paid homage to both
of these legends by featuring Barry Gray and Long Johns widow,
Candy Jones, on his maiden broadcast.) On the late-night show, Colmes
was as comfortable at home with names like Marcel Marceau, Ramsey Clark
and Ed Asner discussing topics like domestic politics, U.S. foreign
policy, and first amendment rights, as he was with a bunch of New York
deli owners debating who made the best sandwich.
WABC plucked Colmes from late-nights in 1984 and installed him in the
all-important morning spot. Ratings and revenues steadily rose and Colmes
morning numbers by the mid-eighties were the highest the station had
achieved in some years. Colmes' recognition within the industry began
to grow. Within a short period of time, he participated at William Paley's
Museum of Broadcasting presentation on talk radio, a Fred Friendly conclave
on the first amendment and an appeared on the CBS Evening News with
Dan Rather commenting on that same topic. In 1990, Colmes hosted the
third annual Emerson Radio Hall of Fame Awards, as did John Gambling
and Don Imus before him.
In the afternoons at WNBC Colmes continued to bring to his audience
entertainment and interviews unavailable elsewhere: George Bush, Dick
Gregory, Gloria Steinem, Jay Leno, and the first in-depth interview
with Jessica Hahn at the height of the Jim Bakker scandal. So prescient
was Colmes in his timing of the Hahn interview (He promised her a stretch
limo with a color TV and a Carnegie Deli sandwich) that WNBC television
waited outside his studio for two hours to nab her for that afternoons
Live at Five. The people from Donahue, originating a few floors up from
the Colmes show, got wind that she was in the building and she went
national the next day. Months later, after Hahns Playboy spread
appeared, she did the Colmes show again. This time, Colmes played back
interviews with her parents and statements she had made months earlier,
many at variance with her present story, You could cut the tension
in the room with a Pocket Fisherman, according to Colmes.
Even guests he couldn't get got Colmes noticed. Activist Al Sharpton
stood him up four times and finally Alan got him on the phone live on
the air. I dont like the things youve been saying
about me, Sharpton blasted. Well, I dont like being
stood up four times, Colmes shot back. Sharpton, Well we
can end it all right now! upon which the good reverend hung up
the phone. Days later it was vintage Colmes who got Sharptons
hair stylist to reveal what the former back-up man for the godfather
of soul is like under the dryer. The New York Post did a page one story
on the interview.
When NBC sold its radio division WMCA snapped Colmes up and put him
on in the evening. But that alliance was not to last either. Even WMCAs
management didn't know that its parent company, known more for real
estate than broadcasting, was preparing to sell its operation to a religious
broadcaster. But among Alans WMCA achievements is an hour-long
sit-down with the aforementioned Reverend Sharpton. Not surprised by
his toughness, but impressed with Colmes fairness and preparation,
Sharpton wrote what Colmes regards as a most enjoyable note: Youre
not as bad as I thought and youre not as good as you think.
They are now on speaking terms. In fact, Reverend Sharpton guest hosted
Alans national show a few times and often guests on Hannity and
Colmes.
As morning host on WZLX, Boston, Alan Colmes continued his groundbreaking
interviews and commentary. When he jokingly asked then-Vice President
Quayle if he planned to keep Bush on the ticket with him in the 1992
campaign, Quayles response, I think the question is whether
hell keep me, made the national press, including Newsweek
and USA Today. A week before the release of Nelson Mandela Colmes spoke
to the Victor Verster Prison. World sentiment would certainly
favor the release of Mr. Mandela, Colmes implored. You wont
be disappointed, was the immediate reply. Shortly after that,
Colmes did an exclusive radio interview with Archbishop Desmond Tutu.
The summer of 1990 was an important time in the evolution of talk radio
and in the career of Alan Colmes. ABC Talk radio decided to disband
its weekday line-up, not content with the profit margin of its nationally
syndicated talk product. With the phenomenal success of Rush Limbaugh
as a hard-hitting, controversial, conservative host, a group of maverick
broadcasters thought they knew better. That group included the legendary
Barry Farber, his trusted executive producer, Michael Castello, and
Alan Colmes. ABC was to stop delivering its shows on September 28. The
following Monday, October 1, there would be lots of stations needing
programming. The plan was to be up and running on that date, offering
Farber and Dr. Joy Brown, already staples on ABC Talk radio, and to
round out the presentation with America's first nationally syndicated
liberal: Alan Colmes. Castello, Farber, Colmes, and technical wizard
Miguel Laboy created Daynet, and only one thing stood between them and
the dream they shared of creating Americas newest radio network:
money. With the help of a group of local investors and every penny the
assembled participants could spare, Daynet hit the ground running on
October 1, 1990 with much more of a wing than a prayer. In fact, many
industry pundits suggested prayer as the only way to stay afloat. Astounding
onlookers (and some network personnel), Daynet not only survived, it
thrived, enabling all parties concerned to build upon their careers.
Impressed with the little engine that could, Major Networks
purchased Daynet at the beginning of 1994. Two years later, building
on an association Alan had developed years earlier when he worked at
New Yorks WHN, Farber and Colmes reclaimed their network and formed
an association with the legendary Nick Verbitsky and Dick Clark at United
Stations. Colmes, Farber and Verbitsky developed the talk radio arm
of United and finally had the resources they had dreamed of to put the
final polish on their syndicated efforts.
In October 1996, when Rupert Murdoch launched Fox News Channel, Fox
News CEO Roger Ailes tapped Alan to co-host the channels nightly
prime time debate show. Finding a liberal in conservative times was
not easy. Perhaps that is why conservative Sean Hannity had already
been hired and the working title for the show was Hannity and LTBD,
or Liberal To Be Determined. Colmes nickname during his first
few months at Fox was LTBD. Hannity and Colmes, as it is
now widely known, is the second highest rated program on cable news
television, having bested former ratings champion Larry King, and regularly
winning its time slot
Alan Colmes was thrilled to be on nightly television, but his radio
show, although heard nationally, was not cleared in the one place that
meant the most to him - New York. There was always that nagging desire
to be part of the late-night radio niche. When WEVD came calling in
1998 with an opportunity to re-enter the New York radio market with
a late-night program, Colmes grabbed the opportunity. Alan was heard
nightly on WEVD, from 11p.m.-2a.m., until September of 2001, when WEVD
was leased to ABC/Disney for its ESPN sports format. Ironically, Colmes
was, again, the last voice heard on an historic radio station before
the switch to an all-sports format. During his tenure at WEVD, Colmes
consistently had the highest ratings at the station, closing out with
a respectable share of the late night radio pie, rivaling his more heavily
promoted and financed competitors.
In February 2003, Fox News created a new radio venue for Colmes. Fox
News Live with Alan Colmes became the lead offering of the new Fox News
Radio division. Once again, Colmes found himself breaking new ground
bringing the Fox brand name to radio and instantly establishing himself
as the reigning liberal in the medium. This wildly popular show is being
grabbed up by stations all over the country, and garnering ratings and
revenue.
Red White and Liberal: How Left is Right and Right is Wrong goes on
sale in October, 2003. Alans take on America, published by Regan
Books, has already won raves from former President Bill Clinton, former
Vice Presidential nominees Jack Kemp, and Geraldine Ferraro, and former
House Speaker Newt Gingrich.
As Americas most prominent broadcast liberal amidst a sea of right-wing
conservative talk show hosts, Alan Colmes might be described as a professional
dragon slayer. Unlike many talkfests, filled with harmonious voices
soothing the ego of the host, Colmes Program and Hannity and Colmes,
are cacophonies of discordant voices, many of whom regard Colmes as
the guy they love to hate. Everything Colmes does seems to generate
strong responses from whom ever is paying attention. This includes everything
from his political views, to his personal life, to his hair.
Love him or hate him, revere or disdain him, know that Alan Colmes has
never forgotten that little boy, up late at night, awake under the covers,
earplug fastened in, fantasizing about a career on radio and television;
all the while hoping his parents didn't know he was up listening to
the masters. He brings that sense of wonderment to each of his broadcasts.
After all, somewhere, off in the darkness, another pair of young ears
may be listening.